The Crew
Twenty-Two People
and One Studio Cat
Directors, producers, shooters and editors who have mostly worked together long enough to finish each other's shot lists.
Leadership
Who You Will Actually Talk To
No account layer, no handoff. The people who pitch you are the people on set.
Dinah Powers
Founder & Executive Producer
Second-generation owner. Runs the budgets, the calendar and the argument about whether we really need the crane.
Marcus Vane
Director
Fifteen years of commercials and two documentaries. Believes the first take is usually the honest one.
Priya Raman
Director of Photography
Shoots film whenever the schedule allows. Owns more vintage glass than is strictly reasonable.
Teddy Okoro
Head of Production
Builds the schedules that make the impossible days work. Has never lost a permit.
Sunny Delacroix
Lead Editor
Cuts fast, argues slowly. Responsible for most of the jokes that survive to final delivery.
Ana Whitfield
Colorist
Runs the color bay and the film emulation library. Will happily talk halation for an hour.
Louis Brand
Sound Supervisor
Mix room, ADR booth and location sound. Keeps a drawer of microphones nobody else is allowed to touch.
Gia Moreno
Animation Director
Hand-drawn everything. Built our whole title-sequence practice from a two-week side project.
Mr. Bigglesworth
Studio Cat
Sleeps on the DIT cart. Has appeared, uncredited, in nine commercials and one documentary.
Life Here
Why People Stay
Average tenure is nine years, which in this business is roughly a geological era.
Real weekends
We schedule for five-day weeks and pay properly when we cannot.
Gear budget
Everyone gets an annual allowance for tools and training, no approval theater.
Passion slots
Two weeks a year of studio time and crew for your own project.
Profit share
Everyone past year two shares in what the studio makes. Yes, everyone.
Hiring
We Are Looking for a Producer and an Assistant Editor
Send a reel, a resume, or just a note about what you have been working on. We read all of them.